Vanyar,
Yes I know the discussion with Tin below is off topic but look on the bright side It returns your thread to the top.

Tin,
Welcome to the FT Forum and thank you for responding to my post. Please forgive my long delay in replying.
I have been away for some time due to circumstances not entirely within my control.
My opinions on the odious nature of Christianity and indeed other religions are well known on this Forum as I have made no secret of them but even I am shocked that you would equate the generation and dissemination of Christian propaganda with rape! I suspect you may be going too far.
Your first comment on my past post was:
"You are correct in stating that 'Jack' Lewis was a Christian apologist and academic, viz. 'The Screwtape Letters', but his beliefs do not alter - markedly - the quality of the writing."
This is true but I was not concerning myself with "the quality of the writing" in my post, some of his prose is quite eloquent. I was objecting to the content. That is to say those books which he wrote to infect unsuspecting children with Christian moralities, ways of thought and dogma. Further, I have no problem with "The Screwtape Letters" it is clearly a Christian book, there is no real attempt at subterfuge even though it is aimed at a young readership. I have my real problems with OSP, Perelandra and the Narnia books, as should anyone else with young children. Incidentally I was not aware that Lewis wrote for the scatalogical comic Viz? "The Fat Slags on the Silent Planet" perhaps or maybe "The Lion the Witch and the Exploding Wardrobe with Johnny Fart Pants". I digress.
You go on to say:
"My views of Shakespeare, Dickens and Percy Shelley are not altered by their adulteries; nor Aldous Huxley by his drug taking. As for Thomas Malory 'Morte D'Arthur' from which we get the Arthurian legends, he was a convicted rapist and thief."
I am not really sure of the point you are trying to make here. Of the five authors you mention I can see an analogy with Lewis in only two cases. Of those two cases both with one slight exception support my argument rather your own!
I really do not think that you can always separate what people are, what they believe and what they stand for from the art they produce. To take an extreme example the film "Paracelcus" it is a thoroughly enjoyable movie to watch particularly if your critical faculties are down and you are relaxing. It is also however one of the most insidiously anti-Semitic films that was produced under the Nazis! The film was subtle for its time seeking to change the ideas of the viewer through subterfuge rather than outright assault. Lewis' output has a similar flavour. I shall examine each author in turn in order to make my position clear. I am, I should say, at a bit of a disadvantage when I respond to your criticism, as I am not that familiar with the works of most of the authors you cite.
Lets start with Aldous Huxley where I can actually see a clear analogy with Lewis. Huxley did, as I understand it experiment with hallucinogens in later life, in particular LSD and this experience certainly informed some of his writings including "Island". He was also, I understand; somewhat of an advocate for the measured use of such drugs. So in contrast to your assertion I suggest that we should very much consider his advocacy of drugs when examining those of his works written during and after this period. Depending upon ones' views on drugs one may either laud or condemn his position but I do not feel one can ignore it. In this instance I feel you are wrong and our views should be altered by Huxley's stance on drugs just as our views on Lewis should be altered by his views on Christianity.
However, Huxley's most famous work, the Science Fiction U/Dis-topia? "Brave New World" in which the fictional drug "soma" is such an important element of the story was written long before his period of experimentation with drugs. I would suggest that it is not reasonable to consider it in the same context as his later work and that here at least you are correct in your assertion that the drug taking need not alter our views of him.
Moving on to your adulterous trio. P.B. Shelley is different to the other men you placed in his peer group, he is clearly relevant. He presented an intellectual argument against marriage but it did not stop him eloping and marrying a young girl. He went on to promote the concept of "Free Love", it was a very different concept of free love to that we have today and he was not quite clear what it was himself. Whilst doing these thing in intellectual life he left a very young child and his wife who was pregnant at the time to bog off to Europe with Frankenstein's mother. He then gets her in the family way too. Wife tops herself, children dying left, right and centre. I would suggest that in Shelley's case if your views of his works are not altered by a consideration of his treatment and relations with women you have missed the plot somewhat. In the case of Shelley the analogy with Lewis is very clear but again supports my argument rather than your own.
I am in some difficulty when discussing Shakespeare, as, on the whole I am not a great fan. I have read or watched a fair few of his plays, about half of the cannon I suppose and with a few exceptional exceptions; "Forbidden Planet", "West Side Story" and "Ran", I think they are pretty poor. Do you think he did the choreography for the dances as well as the music? I just loved 'La La La La in America'. How amazing that he predicted robots all those years ago! Far, far too many puns, an acute case of sycophancy (Henry V ha!) and a seriously childish 'look what I can do' attitude do not endear his works to me.
Very little is actually known about this bloke's life. Any adultery attributed to him is inferred or deduced rather than a factual statement. I may be wrong in this but I have checked several sources and it seems to be correct. Indeed the only references I can find to his adultery is the recent Holden 'biography' and the tired old 'Beds' issue. In any case I don't recall that in any of his plays I am familiar with that he either made the case for or against adultery. In short I fail completely to see any analogy with what Lewis was trying to do? Are you sure you didn't mean Ben Johnson? "Bartholomew Fair" would at least be relevant.
Dickens is another of my less than favourite writers. I have read rather less of him than I have of Shakespeare. Fortunately I have a childhood full of Sunday afternoon black and white Dickens' films on the telly so I usually know the plot however corruptly it may have been presented. I am also not clear from a quick whiz round the web as to the extent of his extramarital dalliances. I am unclear if he was adulterous with Ternan before his separation. Worse still no one appears to be sure exactly what his relationship with his wife's sisters was. The web is not the best research method I appreciate but I know so little of the man and had no other immediate sources to hand. What is clear is that he went to some lengths to keep his personal life private and that he did not advocate adultery in any of his works of which I am aware. I feel sure I would have noticed a passage in David Copperfield where Magwitch (sp.?) pontificates on: giving the missus the slip and slipping the missus’ sister a quick moaning tune on the anthropomorphic oboe. I too, like Shakespeare can make bad puns and combine them with smutty jokes. Again, as with Shakey I completely fail to see any analogy with Lewis' machinations.
Finally to Mal(l)ory who may or may not have compiled "Le Mort D'Arthur". If he did he may or may not have been a rapist and a robber. The solid historical evidence for Mal(l)ory is not just spase as is the case of Shakespeare it may well be non-existent! I have read neither "Le Mort D'Arthur in the original or in modern versions nor the later "The Death of Arthur". My very limited knowledge of the book comes from a highly derivative and abridged version read to me at school. However I feel (reasonably) certain that the book does not promote the idea of "rape". So even though Mal(l)ory may indeed have been a rapist just as Lewis was a Christian he was not trying to promote rape. We are not talking Giles De Rais here. The analogy with Lewis is again, as with Shakespeare and Dickens fallacious.
I await your response with interest.
snm,
Finally something we can agree on Discworld is a lot of fun. I must say given your avowedly anti-Left stance your appreciation of Pratchett is a bit of a surprise. Especially given his latest book in the series "Night Watch" is whilst taking the rise somewhat still a homage to the Paris Commune and also the Anarchists, Communists and Trades Unionists who made a stand against Fascism at Cable Street.
Xaosdog,
"Inversions" is not in my (and nearly every one else's) opinion a fantasy novel. It is SF: a Culture novel, it reads better that way and there is clear reference to Culture technology such as the knife. I enjoyed "Vast" by the way and have started on Egan as I can't get any more Nagata.