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Quiz about Write Your Own Gilbert  Sullivan  Operetta
Quiz about Write Your Own Gilbert  Sullivan  Operetta

Write Your Own Gilbert & Sullivan Operetta Quiz


Another classic routine by British comedienne Anna Russell explains how anyone can create their own G&S operetta by following a simple basic formula. Have Fun!

A multiple-choice quiz by jouen58. Estimated time: 6 mins.
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Author
jouen58
Time
6 mins
Type
Multiple Choice
Quiz #
177,764
Updated
Jul 23 22
# Qns
10
Difficulty
Tough
Avg Score
5 / 10
Plays
385
- -
Question 1 of 10
1. Russell explains that, so long as you follow a simple basic formula with all the necessary ingredients, you can create your own Gilbert & Sullivan operetta and you can put it wherever you like (so to speak). Where does Russell put hers? (Don't be rude!) Hint


Question 2 of 10
2. The story runs thus: Parnassus Q. Vanderfeller has lost his fortune and risks losing his place in the Social Register unless he regains it. Being far too aristocratic to get a job, he decides to marry his only daughter to a rich man. His daughter, needless to say, is engaged to a veritable pauper named John Smith and is torn between filial obligation and love. What is her name, by the way? Hint


Question 3 of 10
3. The romantic lead, John Smith, is the tenor who, according to tradition, MUST sing an aria in 6/8 time, usually accompanying himself on a stringed instrument. Complete the title of his aria: "Things would be so different, if ____________"? Hint


Question 4 of 10
4. The rich man whom the heroine must marry, though she doesn't love him, is Clodbelly Bunyan, the rich tycoon. He sings the inevitable patter song (which includes an encore, whether you ask for one or not). In this song he tells how he became a rich tycoon. Which of these nefarious activities does he NOT admit to having pursued? Hint


Question 5 of 10
5. In the inevitable encore to the inevitable patter-song, what terrible admission does our rich tycoon make? Hint


Question 6 of 10
6. Before the wedding, the assembled guests are entertained by the Madrigal, sung by a mixed quartet. Why does Russell ask the audience's indulgence before this number? Hint


Question 7 of 10
7. Just as the knot is about to be tied, the wedding is interrupted by the inevitable portly contralto with a foghorn-like voice; indispensible to any G&S operetta. What is her name? Hint


Question 8 of 10
8. The contralto character is currently the Vanderfeller's publicity woman. Prior to this, however, she had been a nurse in a maternity ward (of course!). As you've probably guessed, she got her charges hopelessly mixed up. One of them was little Clodbelly Bunyan, whom she claims had an identifying birthmark. What was it shaped like? Hint: it rhymes with his name). Hint


Question 9 of 10
9. Naturally, John Smith is found to have the identifying birthmark behind his ear. Thus, he is really the rich tycoon and can marry the heroine after all. What is Clodbelly Bunyan's fate? Hint


Question 10 of 10
10. A long finale concludes the operetta. Which of these does NOT figure in the finale? Hint



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Quiz Answer Key and Fun Facts
1. Russell explains that, so long as you follow a simple basic formula with all the necessary ingredients, you can create your own Gilbert & Sullivan operetta and you can put it wherever you like (so to speak). Where does Russell put hers? (Don't be rude!)

Answer: New York City

The story takes place among the New York upper-crust, and begins with the opening chorus:

"We are the great Four Hundred,
If you want to know who we are!
We put on airs 'cause our forefath-airs
Came over with the Mayflow-er.
And it's very, very snappy
if your mammy or your pappy
is descended from the Mayflow-er!"
2. The story runs thus: Parnassus Q. Vanderfeller has lost his fortune and risks losing his place in the Social Register unless he regains it. Being far too aristocratic to get a job, he decides to marry his only daughter to a rich man. His daughter, needless to say, is engaged to a veritable pauper named John Smith and is torn between filial obligation and love. What is her name, by the way?

Answer: Pneumonia

Pneumonia, according to Russell, is "...the typical, British, piercing-type soprano usually connected with these operations. She's very sweet." Pneumonia sings the tearful ballad "Treacherous Heart".
3. The romantic lead, John Smith, is the tenor who, according to tradition, MUST sing an aria in 6/8 time, usually accompanying himself on a stringed instrument. Complete the title of his aria: "Things would be so different, if ____________"?

Answer: "...they were not as they are"

Yes sir, there's no arguing with that logic.
4. The rich man whom the heroine must marry, though she doesn't love him, is Clodbelly Bunyan, the rich tycoon. He sings the inevitable patter song (which includes an encore, whether you ask for one or not). In this song he tells how he became a rich tycoon. Which of these nefarious activities does he NOT admit to having pursued?

Answer: Pornography

Bunyan relates that he was once "...a gangster with a power so despotic
The police became dogmatic, and the going too chaotic
That I made a lot of money on a very nice narcotic
I'm a fabulous phenomenon, the great tycoon!"
He also admits "I got mixed up in politics and found it quite delectable!
I did a lot of chiseling in matters undetectable,
But now, I'm so conspicuous, I'm forced to be respectable,
It's really very dull to be a great tycoon."
5. In the inevitable encore to the inevitable patter-song, what terrible admission does our rich tycoon make?

Answer: He's impotent

"To found the Bunyan dynasty, a very great pomposity,
Pneumonia shall wed me, though she finds me a monstrosity,
And has a feeling for me of the wildest animosity,
The nuptials will be solemnized this afternoon.
But all these machinations leave a feeling of futility,
My cor'nary thrombosis is affecting my ability,
increased avoirdupoisity has RUINED my virility!
I am a very miserable rich tycoon!"
6. Before the wedding, the assembled guests are entertained by the Madrigal, sung by a mixed quartet. Why does Russell ask the audience's indulgence before this number?

Answer: Her quartet singing isn't what it used to be.

In her vocal prime (?), Russell's singing of the various parts of the quartet was a tour-de-force.
7. Just as the knot is about to be tied, the wedding is interrupted by the inevitable portly contralto with a foghorn-like voice; indispensible to any G&S operetta. What is her name?

Answer: Dandelion

Dandelion is an obvious send-up of Buttercup from "H.M.S. Pinafore".
8. The contralto character is currently the Vanderfeller's publicity woman. Prior to this, however, she had been a nurse in a maternity ward (of course!). As you've probably guessed, she got her charges hopelessly mixed up. One of them was little Clodbelly Bunyan, whom she claims had an identifying birthmark. What was it shaped like? Hint: it rhymes with his name).

Answer: A Spanish onion

"The newborn babes they trusted to my care,
All alike! Bright red, no teeth, no hair.
But one I knew was little baby Bunyan,
He'd a birthmark there... (indicates behind her ear)
Just like a Spanish onion!"
9. Naturally, John Smith is found to have the identifying birthmark behind his ear. Thus, he is really the rich tycoon and can marry the heroine after all. What is Clodbelly Bunyan's fate?

Answer: He has to marry the contralto.

It does seem to be a tradition of sorts in G&S that the little patter-song fellow ends up marrying the portly contralto. Here's the final ensemble:
JOHN SMITH: "I am the one, I have an on-
ion mark behind my ear!"
PNEUMONIA: "Oh ecstasy! He soon will be
My lovely husband dear!"
BUNYAN: "This marriage would have been a strain,
I'm glad that I am free again!
I really am delighted as can be!"
DANDELION: "I hope he'll be delighted still,
When he finds it's traditional
That in the end he has to marry (HA HA!) me!"
10. A long finale concludes the operetta. Which of these does NOT figure in the finale?

Answer: A fugue

Says Russell: "You have the bit where everybody sings, the chorale business, then you salute the flag." At the end is a dance (very traditional).
"So if you're psychotic or rather neurotic,
Or if you've a notion you're far too emotional,
If you've got pain or a feeling of strain,
Get it out of your system by writing a popular operette!"
Source: Author jouen58

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