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1.
Apart from Verdi, which of these Italian operatic composers wrote an operatic setting of Shakespeare?s ?Othello?? |
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2.
Verdi originally intended to name the opera ?Iago? |
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3.
All but one of the following characters from Shakespeare?s play was omitted from Boito?s libretto. Which one was NOT? |
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4.
All but one of the following pieces from the opera has a completely non-Shakespearean text. Which one does NOT? |
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5.
In adapting Shakespeare?s play, Boito made a number of changes and omissions. Which of these is NOT true of the libretto as opposed to the play.
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6.
Where does the opera take place?
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7.
?Otello?, like many of Verdi's later operas, contains a number of departures from the formulaic structure of Italian opera. Which of these is NOT true of ?Otello??
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8.
Although Verdi steadfastly resisted any imitation of Wagnerian style or devices, there is one definite ?leitmotif? in ?Otello?; what does it describe?
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9.
What is happening as the opera begins?
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10.
At the end of the great Act I love duet, Otello points out to Desdemona a constellation and a particularly brilliant star; which are they?
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11.
Although very different in tone and character, Iago?s famous ?Credo? (in Act II) expresses a basic sentiment(or sentiments) not unlike that (those) expressed in the closing fugue (?Tutto nel Mondo e Burla?) of Verdi?s comic masterpiece ?Falstaff?. Which of these sentiments appear in some form in both pieces? |
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12.
In Act II, the chorus sings a beautiful ode to Desdemona which features an unusual instrument (also used in the Serenade of Mozart?s ?Don Giovanni?). Which is it?
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13.
Which of these unusual features is true of Otello?s great Act III aria ?Dio, Mi Potevi Spogliar??
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14.
Otello sings only a few words during the great ensemble that ends Act III, before his outburst "Fuggite!". |
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15.
Act IV begins with Desdemona?s haunting ?Willow Song? (?La Canzone del Salice?). At one point, the song is interrupted by an ominous occurrence, what is it? |
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16.
Desdemona?s ?Ave Maria? is a setting of the Latin prayer of the same name. |
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17.
What are the closing words of the opera (sung by Otello)? |
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18.
The role of Otello is a notoriously taxing and difficult one and has proved to be a graveyard for many tenors. Which of these celebrated tenors has never performed the role of Otello either onstage or in concert?
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19.
Verdi wrote ballet music for "Otello". |
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20.
Which of these celebrated conductors was the principal cellist in the orchestra at the La Scala premiere of ?Otello?? |
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