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Quiz about Classic Songs from Ziegfeld Shows
Quiz about Classic Songs from Ziegfeld Shows

Classic Songs from Ziegfeld Shows Quiz


During the first third of the 20th century most American songs came out of New York. New York meant Broadway and Broadway meant the great producer Florenz Ziegfeld. Here's a quiz about some great songs from his shows.

A multiple-choice quiz by annaheldfan. Estimated time: 5 mins.
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Author
annaheldfan
Time
5 mins
Type
Multiple Choice
Quiz #
341,200
Updated
Jul 23 22
# Qns
10
Difficulty
Average
Avg Score
6 / 10
Plays
274
Awards
Top 20% Quiz
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Question 1 of 10
1. The first certified hit to come out of a Flo Ziegfeld show came out of his 'Follies of 1908'. It was to become one the most famous of the 'moon' songs typical of the period. The verse goes...'Little maid was kinda 'fraid of darkness
So she said, "I guess I'll go."
Boy began to sigh, looked up at the sky,
And told the moon his little tale of woe, oh,...'
What's the next line, and the name of this song?
Hint


Question 2 of 10
2. Here is a song that lots of Americans now think of as a lullaby. It even shows up on a 1992 Bruce Springsteen album credited as 'Traditional', but it's not. It was written for the Ziegfeld show 'Miss Innocence' in 1908. The original chorus goes (in part):
'Marry me, carry me right away with you,
Giddy up, giddy up, giddy up, whoa!' What's the original title?
Hint


Question 3 of 10
3. The second act of the 'Ziegfeld Follies of 1921' opened with Fanny Brice singing 'My Man'. Unlike her usual comic numbers, this was a real torch song that had already become a big hit in Europe. Fanny sang 'My Man' in English, but in what language was the song originally written? Hint


Question 4 of 10
4. In 1928 Flo Ziegfeld mounted a production that showcased one of his favorite stars, Eddie Cantor. Eddie wowed 'em with a title song that was all about a euphemism for, well, procreation. This song became the basis for a million parodies and a 1961 Pepsi jingle. What's missing? 'Makin'...' Hint


Question 5 of 10
5. The 'Ziegfeld Follies of 1909' (not 1908, but 1909) featured another 'moon' (not sun but moon) song. After the success of a 1908 'moon' song (not the poem, but the song), Ziegfeld decided to try for another moony hit (not flop but hit). What song am I talking about here? Hint


Question 6 of 10
6. In 1920 Flo Ziegfeld pulled a girl out of the chorus and showcased her talents in the musical 'Sally'. She turned out to be a triple threat - she could sing, dance and act and had oodles of charm to boot. When she clutched a dish cloth to her bosom and warbled...
'A heart, full of joy and gladness,
Will always banish sadness and strife.
So always look for the silver lining,
And try to find the sunny side of life...' there wasn't a dry eye in the house. Who was she?
Hint


Question 7 of 10
7. Jerome Kern and Oscar Hammerstein staged the landmark 'Showboat' in 1927 with Florenz Ziegfeld as producer. Three songs that appeared in that show, however, were not originally written for it, but inserted by Kern and Hammerstein. Two of them were 'After the Ball' and 'Goodbye My Ladylove'; period songs that appear in the Trocadero scene. But there was another...a torch song that has become a standard independent of the show. What song is it? Hint


Question 8 of 10
8. The beautiful, sad Ruth Etting was a Ziegfeld star during the last half of the 1920s. In 1928 she appeared in a show singing a song that would become her signature. She pointed out that although nighttime was the right time for kissing, all she did at night was a lot of reminiscing. '...I'd rather be lonely than happy with somebody else.' What's the song?

Hint


Question 9 of 10
9. The song probably most closely associated with Florenz Ziegfeld is, oddly enough, pretty terrible. It tells of a girl who 'starts up on a marathon and runs around your brain'. She sounds scary. What's the name of the song? Hint


Question 10 of 10
10. Although Florenz Ziegfeld died in 1932, another Ziegfeld Follies was mounted 1936, with songs by Vernon Duke and Ira Gershwin. It was a kind of revival, with stars from past Follies as well as newcomers. Among them was a young Bob Hope, who sang a song he always claimed put him on the map. Later, the song became Bunny Berigan's theme. What was it? Hint



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Quiz Answer Key and Fun Facts
1. The first certified hit to come out of a Flo Ziegfeld show came out of his 'Follies of 1908'. It was to become one the most famous of the 'moon' songs typical of the period. The verse goes...'Little maid was kinda 'fraid of darkness So she said, "I guess I'll go." Boy began to sigh, looked up at the sky, And told the moon his little tale of woe, oh,...' What's the next line, and the name of this song?

Answer: Shine on Harvest Moon

'Shine on Harvest Moon' (1908) is usually credited to the vaudeville star Nora Bayes and her husband Jack Norworth, but was probably written by someone else. In those days, if you bought a song you could publish it under your own name and the Norworths did this a lot. Nora and Jack made it such a hit that Ziegfeld revived it for Ruth Etting in the 'Follies of 1931'.
2. Here is a song that lots of Americans now think of as a lullaby. It even shows up on a 1992 Bruce Springsteen album credited as 'Traditional', but it's not. It was written for the Ziegfeld show 'Miss Innocence' in 1908. The original chorus goes (in part): 'Marry me, carry me right away with you, Giddy up, giddy up, giddy up, whoa!' What's the original title?

Answer: My Pony Boy

'My Pony Boy' (Charlie O'Donnell, music; Bobby Heath, lyrics) was a vehicle for Lillian Lorriane, who reportedly could neither sing nor act, but who was Ziegfeld's extremely beautiful girlfriend. In a nutshell, it tells the story of an unbelievably attractive cowboy called Tony, whom all the 'peaches' love in vain.

Then he falls for a 'fluffy ruffly' girl from New York, but he doesn't want to go to New York. Springsteen's version, 'Pony Boy', dispenses with this plot, obviously improving the song.
3. The second act of the 'Ziegfeld Follies of 1921' opened with Fanny Brice singing 'My Man'. Unlike her usual comic numbers, this was a real torch song that had already become a big hit in Europe. Fanny sang 'My Man' in English, but in what language was the song originally written?

Answer: French

'My Man' was originally 'Mon Homme' (Jacques Charles, music; Albert Willemetz and Maurice Yvain, lyrics; Channing Pollack, English lyrics). It was a huge 1916 hit for the great French singer Mistinguett. She was supposed to sing it in the Follies in 1921, but cancelled and Fanny Brice got the nod.

Other singers associated with this standard include Billie Holiday, Edith Piaf and of course, Barbra Streisand.
4. In 1928 Flo Ziegfeld mounted a production that showcased one of his favorite stars, Eddie Cantor. Eddie wowed 'em with a title song that was all about a euphemism for, well, procreation. This song became the basis for a million parodies and a 1961 Pepsi jingle. What's missing? 'Makin'...'

Answer: Whoopee

'Makin' Whoopee' (Walter Donaldson, music; Gus Cahn, lyrics) was from the show 'Whoopee!'. Eddie Cantor, the 'Apostle of Pep', was the multitalented comedian, singer, actor, writer and composer who first put it across. Over the years, it's become associated with such disparate names as Ella Fitzgerald, Doris Day, Diana Krall and of course, Michelle Pfeiffer in 'The Fabulous Baker Boys'.
By the way, Britney Spears reprised the Pepsi jingle in 2002. Instead of 'Makin' Whoopee', it's 'Now it's Pepsi (for those who think young)'.
5. The 'Ziegfeld Follies of 1909' (not 1908, but 1909) featured another 'moon' (not sun but moon) song. After the success of a 1908 'moon' song (not the poem, but the song), Ziegfeld decided to try for another moony hit (not flop but hit). What song am I talking about here?

Answer: By the Light of the Silvery Moon

'By the Light (not the dark but the light) Of the Silvery Moon (not the sun but the Moon)' (Gus Edwards, music; Edward Madden, lyrics) has been recorded innumerable times and has spawned at least one book, many different recordings and a Doris Day film.

The song is incredibly easy to sing, thanks to the fact that it was written for the musically talentless Miss Lillian Lorraine and her lack of vocal range. But as Ziegfeld noted, 'If the girl can't carry the act, the act will have to carry the girl' and his ingenuity made her a star for a whole three years before the drink got to her and she was canned.
6. In 1920 Flo Ziegfeld pulled a girl out of the chorus and showcased her talents in the musical 'Sally'. She turned out to be a triple threat - she could sing, dance and act and had oodles of charm to boot. When she clutched a dish cloth to her bosom and warbled... 'A heart, full of joy and gladness, Will always banish sadness and strife. So always look for the silver lining, And try to find the sunny side of life...' there wasn't a dry eye in the house. Who was she?

Answer: Marilyn Miller

The lovely song 'Look For the Silver Lining' (Jerome Kern, music; B. G. de Sylva, lyrics) became Marilyn's signature song and later notable interpretations include ones by Chet Baker and Frank Sinatra. However, when I think of the song, I always hear Judy Garland's voice (from the Kern biopic 'Till the Clouds Roll By').

Marilyn Miller (1898-1936) became the highest-paid Broadway star of her day and made several films as well. Onstage she was all blonde innocence and light, but she was a backstage harridan with a pretty chaotic private life. She died at the age of 37, still a star. By the way, Norma Jeane Baker became Marilyn Monroe because a casting director said she reminded him of Marilyn Miller.
7. Jerome Kern and Oscar Hammerstein staged the landmark 'Showboat' in 1927 with Florenz Ziegfeld as producer. Three songs that appeared in that show, however, were not originally written for it, but inserted by Kern and Hammerstein. Two of them were 'After the Ball' and 'Goodbye My Ladylove'; period songs that appear in the Trocadero scene. But there was another...a torch song that has become a standard independent of the show. What song is it?

Answer: Bill

'Showboat's' great strength was its strong story and songs that furthered the plot. Oddly, this was the factor that made a lot of the songs difficult to sing out of context. But the haunting 'Bill' (Jerome Kern, music; P. G. Wodehouse, lyrics) is an exception. It was actually written for a 1917 Kern musical, although it was dropped before the show ran. Helen Morgan played Julie in the original production and sang 'Bill' sitting on the top of a piano. Since then it's been tackled by just about everyone from Ava Gardner to Kiri te Kanawa.

'After the Ball' (1891, Charles K. Harris, music and lyrics). 'Goodbye My LadyLove' (1904, Joseph E. Howard, music and lyrics)
8. The beautiful, sad Ruth Etting was a Ziegfeld star during the last half of the 1920s. In 1928 she appeared in a show singing a song that would become her signature. She pointed out that although nighttime was the right time for kissing, all she did at night was a lot of reminiscing. '...I'd rather be lonely than happy with somebody else.' What's the song?

Answer: Love Me or Leave Me

'Love Me or Leave Me (Walter Donaldson, music; Gus Kahn, lyrics) is pretty defeatist, but that was Ruth's specialty. The song became an instant standard and the title of Ruth's biopic starring Doris Day (who was amazing in the role). The song has become associated with such other great, sad ladies as Billie Holliday and Nina Simone. The show it comes from, by the way, is 'Whoopee', with Eddie Cantor.
9. The song probably most closely associated with Florenz Ziegfeld is, oddly enough, pretty terrible. It tells of a girl who 'starts up on a marathon and runs around your brain'. She sounds scary. What's the name of the song?

Answer: A Pretty Girl is Like a Melody

'A Pretty Girl is Like a Melody' (Irving Berlin, music and lyrics) just goes to show that you can't be a genius all the time. It became a beauty pageant standard, probably due to its inclusion in the film 'The Great Ziegfeld' (1936). It came out of the 'Ziegfeld Follies of 1919', as did the other three, much better songs listed in the clues. 'Mandy' and 'You'd be Surprised' are by Berlin. Walter Donaldson wrote the music to 'How Ya' Gonna Keep 'Em...' and Sam Lewis and Joe Young wrote the lyrics.
10. Although Florenz Ziegfeld died in 1932, another Ziegfeld Follies was mounted 1936, with songs by Vernon Duke and Ira Gershwin. It was a kind of revival, with stars from past Follies as well as newcomers. Among them was a young Bob Hope, who sang a song he always claimed put him on the map. Later, the song became Bunny Berigan's theme. What was it?

Answer: I Can't Get Started

Although 'I Can't Get Started' has lyrics that are very topical ('I've been consulted by Franklin D., Greta Garbo has had me to tea...') it remains a standard today due to its incredible beauty. Bunny Berigan first recorded it in 1937 and his sweet, sharp trumpet and mournful voice made it a classic. Many other artists have recorded it, but his remains the definitive version. Oddly, considering the songwriting talent, 'I Can't Get Started' was the only song to click from the show.

Bob Hope may have felt that 'I Can't Get Started' started him off, but most of us consider that 'Thanks For the Memory' (Ralph Rainger, music; Leo Robin, lyrics) is the song that best fills that bill. He sang it to Shirley Ross in 'The Big Broadcast of 1938'.
Source: Author annaheldfan

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