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| 1.
I once said, 'We paint like the bird sings' and in my own work how true this rings, with soft touches of multiple colors, I reveal cathedrals, nenuphars, haystacks and others. In the later years, I spent my time amongst gardens, ponds and willow trees, painting light on water and the effect as it flees. Who am I? |
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| 2.
I was born near the Mont Ste Victoire and though I left briefly I was never far. I wished to give structure to Impressionist themes, while giving form to my own dreams. |
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| 3.
Next to Corot's easel my sisters and I learned, but to be Salon painters none of us truly yearned. Though Edouard Manet only joined us in part, as his friend and sister in law I remained in his heart. My work revealed the inner life and daily occupations of an artist, mother and wife. |
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| 4.
Born in Pittburgh in 1845, then Paris called me which seemed more alive. I met Degas and soon decided to join the Independents' exhibitions when invited. Women and children filled my hours. I left this Earth in a small French castle surrounded by flowers. |
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| 5.
Born in Paris to a noble line, I quickly found a style that was mine. As opposed to some Impressionist friends, I chose to focus on interior trends. Bathers, dancers, women fixed in time, I became the master of pastel and line. |
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| 6.
Though born in the Islands I became a painter of Earth, once in France I tried to show my worth. Close friends with many of the others, Cezanne and I painted like brothers. A brief stint with the Neo's divisionism, then back to my own colors and vision. |
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| 7.
Born in Limoges, a tailor's son, becoming a painter was a battle to be won. To make a living I did porcelain and the fan, and gradually painted the ordinary man. My portrayals of women in all their glory, are an important part of the Impressionist story. |
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| 8.
I am the painter of water, fog, mist, clouds and the snows. The human figures almost rarely shows. The landscape was my theme of choice and the fleeting effects gave me a gentle voice. |
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| 9.
My paintings of surbuban Paris at rest, seemed 'wooden' to the critics at best. My scientific method of color division went way beyond the Impressionist vision. In my brief career I began a trend, but many returned to their instincts in the end. |
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| 10.
Born in Paris, I trained to be an engineer, but painting was my love I fear. I help my fellow Independents by buying their work, and donating it to the State when I go. France turned down most of the paintings, as 'who would ever know?' |
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