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Quiz about A Symphony by any other name
Quiz about A Symphony by any other name

A Symphony by any other name Trivia Quiz


Certain symphonies by classical composers have acquired "nicknames" as well as their formal catalogue designations. Match the nickname of each symphony to its composer.

A matching quiz by Ampelos. Estimated time: 4 mins.
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Author
Ampelos
Time
4 mins
Type
Match Quiz
Quiz #
390,698
Updated
Dec 03 21
# Qns
10
Difficulty
Average
Avg Score
7 / 10
Plays
194
(a) Drag-and-drop from the right to the left, or (b) click on a right side answer box and then on a left side box to move it.
QuestionsChoices
1. Eroica  
  Vaughan Williams
2. New World  
  Berlioz
3. Fantastique  
  Mahler
4. Farewell  
  Mozart
5. Resurrection  
  Haydn
6. Pathetique  
  Dvorak
7. Italian  
  Tchaikovsky
8. Jupiter  
  Schubert
9. Antartica  
  Mendelssohn
10. Great C Major  
  Beethoven





Select each answer

1. Eroica
2. New World
3. Fantastique
4. Farewell
5. Resurrection
6. Pathetique
7. Italian
8. Jupiter
9. Antartica
10. Great C Major

Quiz Answer Key and Fun Facts
1. Eroica

Answer: Beethoven

This work, the first of Beethoven's symphonies of what is called his "Second Period", is formally designated as Symphony number 3 in in E-flat Major, Opus 55. It was first performed in 1805 in Vienna. The title means "for a hero" and was originally dedicated to Napoleon whom Beethoven considered to be a great populist and anti-monarchical figure.

When he learned that Napoleon had declared himself Emperor, he angrily tore Napoleon's name from the dedication page.
2. New World

Answer: Dvorak

Antonin Dvorak, a Czech composer, spent three years in America (1892-1895) as Director of the National Conservatory of Music of America in New York City, and during that became fascinated by the local music of blacks and native Americans. In 1893 his "New World Symphony", technically known as Symphony number 9 in E minor, Opus 95, was first performed in Carnegie Hall to a huge and popular reception.

It has become one of the most popular and most often performed symphonies in the classical repertoire.
3. Fantastique

Answer: Berlioz

This symphony was first performed in Paris in 1830, and has the formal title of "Fantastical Symphony: an episode in the life of an artist in five parts, Opus 14" (English translation). It is a programme symphony, that is each section relates to a common theme, in this case the miseries of a highly imaginative young artist suffering hopelessly from unrequited love and under the influence of opium.
4. Farewell

Answer: Haydn

Haydn's symphony number 45 in F-sharp minor was first performed in 1772 at Eszterhaza, the summer home of his patron Prince Esterhazy in Hungary. Haydn told a story in his old age that the musicians had been so long separated from their wives and families that they wanted to return home to the Prince's capital of Eisenstadt. Haydn's method to communicate their distress was that during the final movement each musician in turn would stop playing, blow out the candle lighting their music stand, and vanish (hence the symphony's nickname).

At the end only two violins were left, one played by Haydn. The Prince moved his court back to Eisenstadt the next day.
5. Resurrection

Answer: Mahler

Symphony number 2 by Gustav Mahler was first performed in 1895 in Berlin. It is a programme symphony exploring the meaning of life and the question of life after death. It would become one of Mahler's most popular works and one of the longest symphonies in the classical repertoire, lasting nearly ninety minutes. Like Beethoven's Ninth Symphony, it ends with a choral movement set to the words of a German poet, Klopstock, in his hymn "The Resurrection".
6. Pathetique

Answer: Tchaikovsky

Symphony number 6 in B minor, Opus 74 was first performed in St Petersburg in 1893, nine days before the composer's death. The title in Russian doesn't mean "arousing pity", but rather "emotional" or perhaps even "depressing". Some have connected the title with Tchaikovsky's known depressive state of mind or homosexual angst, and seen the work as a sort of suicide note, but this is not proven. An unusual feature of the symphony is that the adagio ("slow movement") comes at the end leaving the listener with a sense of deep and profound sadness.
7. Italian

Answer: Mendelssohn

From 1829 to 1831 Mendelssohn was on a grand tour of Europe, a journey that produced his third symphony, the "Scottish", and this work, Symphony number 4 in A major, Opus 90. It was based on his experiences in Italy which he found to be a happy, sunny, and jolly place.

This is an "upbeat' symphony throughout, and its infectious opening movement was used as the recurrent theme in the 1979 movie, "Breaking Away".
8. Jupiter

Answer: Mozart

Mozart did not himself give the nickname "Jupiter" to his Symphony number 41 in C major, K.441, but it was coined by the composer and impresario, Johann Peter Solomon, some time after Mozart's death in 1791. The date of the first performance is unknown and may not have been performed in the composer's lifetime.

It shows Mozart at his very best and deserves to be named after the king of Roman gods. It ranks as one of the most popular classical symphonies in the concert and recording repertoire.
9. Antartica

Answer: Vaughan Williams

Vaughan Williams himself gave the nickname "Sinfonia Antartica" to his seventh symphony. Notice the Italian title with the Italian spelling of "Antarctica". It is based on the music that Vaughan Williams wrote for the film "Scott of the Antarctic" (1947), the story of Scott's ill-fated expedition to reach the South Pole first.

The symphony had its premiere in Manchester in 1953. Each of the five movements is prefaced by a quotation from poetry, the Bible, or in the last movement from Sir Robert Scott's own diary.

In addition to the orchestra there is a wordless three-part female chorus and soprano who sing in the opening and final sections.
10. Great C Major

Answer: Schubert

The nickname "Great" was originally given to Schubert's Symphony number 9 in C major, D. 944 to distinguish it from his symphony number 6, also in C major and called the "Little". Schubert wrote the work in the mid-1820s, but it is not known whether it was performed publicly before his death in 1828.

It is now considered to be one of the "great" examples of the classical symphony, full of memorable tunes and taking nearly an hour to perform. Unusual about the work is the prominence given to the trombones who usually had a lesser role in a classical symphony.
Source: Author Ampelos

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