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Quiz about Location Location Location
Quiz about Location Location Location

Location, Location, Location! Trivia Quiz


So often it is that place provides the greatest inspiration to the human heart. Do you recognize these poems inspired by a particular place or location?

A photo quiz by alaspooryoric. Estimated time: 7 mins.
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Time
7 mins
Type
Photo Quiz
Quiz #
374,869
Updated
Dec 03 21
# Qns
10
Difficulty
Average
Avg Score
8 / 10
Plays
600
Awards
Top 10% Quiz
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Question 1 of 10
1. In 1798, William Wordsworth revisited the ruins of a site he had visited on a walking tour of the Wye River valley in 1793. The difference between the revisited landscape and the remembered "picture of the mind" led to the composition of "Lines" like these: "These beauteous forms, / Through a long absence, have not been to me / As is a landscape to a blind man's eye: / But oft, in lonely rooms, and 'mid the din / Of towns and cities, I have owed to them / In hours of weariness, sensations sweet, / Felt in the blood, and felt along the heart". What ruins, shown in the accompanying photograph, led to the poem included as the last piece in the book "Lyrical Ballads"? Hint


Question 2 of 10
2. One of Carl Sandburg's most well-known poems is one that praises the vitality of the citizens of a particular American city, despite that city's reputation for corruption, violence, and exploitation of its people. The poem begins, "Hog Butcher for the World, / Tool Maker, Stacker of Wheat, / Player with Railroads and the Nation's Freight Handler; / Stormy, husky, brawling, / City of the Big Shoulders". The title of this poem is the name of the city, whose skyline and lakefront are visible in the accompanying photograph. What is this poem's title? Hint


Question 3 of 10
3. The early seventeenth-century poem "To Penshurst" is not dedicated to a person, but rather to the estate of the Sidney family. As such, it is one of the first and best country house poems, a poem written to praise a wealthy patron of the arts by praising that patron's home. "To Penshurst" praises the remarkable beauty of the estate, the blessed abundance of life to be found there, and the purity and generosity of the Sidney family. Who is this poem's author, perhaps better known for his plays, such as "The Alchemist" and another play that shares the Italian (or Latin) name of the animal depicted in the accompanying photograph? Hint


Question 4 of 10
4. This American poet who lived from 1869 to 1935 often used his own hometown as the setting of his poems; however, he substituted the fictional Tilbury Town for the real name of Gardiner, Maine. Within his formal and traditional style, he would lift up the bleak, tragic lives of such individuals as Mr. Flood (a lonely, delusional, drunk old man), Miniver Cheevy (a frustrated and whining alcoholic), and Richard Cory (a wealthy, popular man who kills himself). Who was this poet, whose image is in the accompanying photograph? Hint


Question 5 of 10
5. Percy Bysshe Shelley stood on a bridge over the Arve River in the valley of Chamonix on the border between France and Italy and was inspired to write a poem with these words: "[T]he power is there, / The still and solemn power of many sights, / And many sounds, and much of life and death. / In the calm darkness of the moonless nights, / In the lone glare of day, the snows descend / Upon that Mountain; none beholds them there". What is the title of Shelley's poem, a title which shares the same name of the famous European site in the picture? Hint


Question 6 of 10
6. Some find inspiration from traveling to a faraway mountain, and some from visiting a great city. However, the writer of this next poem found inspiration from visiting her own home, or at least a place she once looked upon as home. She wrote, "I years had been from Home / And now before the Door / I dared not enter, lest a Face / I never saw before / Stare solid into mine / And ask my Business there--". The speaker laughs at her fear of a door, puts her hand to the latch, but then runs away. Who is this poet, who deeply felt home to be sacred and who is depicted in the accompanying portrait? Hint


Question 7 of 10
7. In his masterpiece "Childe Harold's Pilgrimage", George Gordon, Lord Byron, writes, "Stop!--for thy tread is on an Empire's dust! / An Earthquake's spoil is sepulchered below!" The narrator of Byron's poem exclaims these words as Harold arrives at the site of a battlefield of extreme historical importance. While much of Europe hated the man defeated at this site, the narrator attributes others' hatred to their envy and instead praises the "greatest . . . of men". What famous battle site does Byron write of in "Childe Harold's Pilgrimage", a site associated with the man in the accompanying portrait? Hint


Question 8 of 10
8. In a lengthy and descriptive poem, Walt Whitman wrote, "Crowds of men and women attired in the usual costumes, how curious you are to me. / On the ferry-boats the hundreds and hundreds that cross, returning home, are more curious to me than you suppose, / And you that shall cross from shore to shore years hence are more to me, and more in my meditations, than you might suppose". Using the accompanying slide of photos and what you might know of Whitman's life, can you choose the title of the poem from which these lines come? Hint


Question 9 of 10
9. In 1913, the American poet Ezra Pound, who was for a while an expatriate living in Paris, published a very short poem consisting of only these lines: "The apparition of these faces in the crowd; / Petals on a wet, black bough". Using the accompanying photograph, can you choose the title of this poem, which explains where the speaker of the poem is located as he views these "faces in the crowd"? Hint


Question 10 of 10
10. In 1855, this bearded "Fireside Poet" published "My Lost Youth", a poem in which the speaker revisits as a middle-aged adult his childhood home of Portland, Maine. He begins the poem, "Often I think of the beautiful town / That is seated by the sea; / Often in thought go up and down / The pleasant streets of that dear old town, / And my youth comes back to me". Later, he romanticizes, "I can see the shadowy lines of its trees, / And catch, in sudden gleams, / The sheen of the far-surrounding seas, / And islands that were the Hesperides / Of all my boyish dreams". Who is this poet in the accompanying photograph, a poet better known for longer poems like "The Song of Hiawatha" and "Evangeline"? Hint



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Quiz Answer Key and Fun Facts
1. In 1798, William Wordsworth revisited the ruins of a site he had visited on a walking tour of the Wye River valley in 1793. The difference between the revisited landscape and the remembered "picture of the mind" led to the composition of "Lines" like these: "These beauteous forms, / Through a long absence, have not been to me / As is a landscape to a blind man's eye: / But oft, in lonely rooms, and 'mid the din / Of towns and cities, I have owed to them / In hours of weariness, sensations sweet, / Felt in the blood, and felt along the heart". What ruins, shown in the accompanying photograph, led to the poem included as the last piece in the book "Lyrical Ballads"?

Answer: Tintern Abbey

The full title of Wordsworth's poem is "Lines, Composed a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798". Wordsworth made these remarks about the piece: "No poem of mine was composed under circumstances more pleasant for me to remember than this. I began it upon leaving Tintern, after crossing the Wye, and concluded it just as I was entering Bristol in the evening, after a ramble of 4 or 5 days, with my sister. Not a line of it was altered, and not any part of it written down till I reached Bristol". Thus, he composed 159 lines of blank verse in his mind and kept them in his memory until he had the opportunity to put them to paper. The poem presents two interesting ideas: one, the power of a place to become a part of who and what we are, and two, the power of the senses and the mind to create the reality of place.

Tintern Abbey was founded in May of 1131 by Walter de Clare, Lord of Chepstow. It was occupied by Cistercian Monks of the Benedictine Order. It was abandoned during the sixteenth century due to King Henry VIII's Dissolution of the Monasteries and the taking of their properties and valuables. The ruins were the inspiration not only for Wordsworth's poem but also for Tennyon's "Tears, Idle Tears", Ginsberg's "Wales Visitation", and several paintings by Turner.
2. One of Carl Sandburg's most well-known poems is one that praises the vitality of the citizens of a particular American city, despite that city's reputation for corruption, violence, and exploitation of its people. The poem begins, "Hog Butcher for the World, / Tool Maker, Stacker of Wheat, / Player with Railroads and the Nation's Freight Handler; / Stormy, husky, brawling, / City of the Big Shoulders". The title of this poem is the name of the city, whose skyline and lakefront are visible in the accompanying photograph. What is this poem's title?

Answer: Chicago

Carl Sandburg's "Chicago" first appeared in the 1914 publication of "Poetry" magazine and was later published again in 1916 in his own volume of poetry entitled "Chicago Poems". Sandburg frequently used his poetry to push his socialist and populist ideas that the working class people of America would ultimately shape their own destinies without the assistance of the educated intellectuals and their agendas. As was stated in the question, Sandburg had a deep appreciation for the people's energy and was outraged at the injustices they were made to suffer.

Sandburg was also a prominent figure in the Chicago Renaissance movement. The writers and artists in this movement felt that the Midwest, as the heartland of America, represented the culture and values of America and that Chicago was its center. They hoped to expose the working class culture and values to all of America on a large scale through their art.
3. The early seventeenth-century poem "To Penshurst" is not dedicated to a person, but rather to the estate of the Sidney family. As such, it is one of the first and best country house poems, a poem written to praise a wealthy patron of the arts by praising that patron's home. "To Penshurst" praises the remarkable beauty of the estate, the blessed abundance of life to be found there, and the purity and generosity of the Sidney family. Who is this poem's author, perhaps better known for his plays, such as "The Alchemist" and another play that shares the Italian (or Latin) name of the animal depicted in the accompanying photograph?

Answer: Ben Jonson

Patronage was the name of the game in Ben Jonson's time. Poets would frequently write pieces praising someone of the nobility and hoping for a reward like a pension or an office. This is what Edmund Spenser, a somewhat earlier poet, was up to with the composition of his "Faerie Queene" in which he flatters Queen Elizabeth I herself. Ben Jonson chose the unique route of praising his prospective patron's home rather than directly praising the patron himself, Sir Robert Sidney, 1st Earl of Leicester. Significantly, Robert Sidney was the younger brother of Sir Philip Sidney, a most celebrated poet of the English Renaissance. Jonson suggests that much of Penshurst's glory and Edenic qualities are related to its being the birthplace of Philip Sidney. He writes, "That taller tree, which of a nut was set / At his great birth where all the Muses met. / There in the writhed bark are cut the names / Of many a sylvan, taken with his flames". Later, Jonson praises Robert Sidney's family for its purity by commenting on Sidney's wife's fidelity: "Thy lady's noble, fruitful, chaste withal. / His children the great lord may call his own, / A fortune in this age but rarely known". Furthermore, the place is so beautiful, not only has King James I visited its grounds but Pan and Bacchus as well.

The play mentioned in the question that relates to the photograph would be "Volpone", which translates to "fox".
4. This American poet who lived from 1869 to 1935 often used his own hometown as the setting of his poems; however, he substituted the fictional Tilbury Town for the real name of Gardiner, Maine. Within his formal and traditional style, he would lift up the bleak, tragic lives of such individuals as Mr. Flood (a lonely, delusional, drunk old man), Miniver Cheevy (a frustrated and whining alcoholic), and Richard Cory (a wealthy, popular man who kills himself). Who was this poet, whose image is in the accompanying photograph?

Answer: Edwin Arlington Robinson

E. A. Robinson grew up in Gardiner, Maine, and then had to leave Harvard without a degree to return there to take care of his family after his father's land speculations and lumber business failed during the economic Panic of 1893. Furthermore, one of his brothers, abusing his access to medication as a physician, became a drug addict, and another became an alcoholic. The gloom of life in this small New England town obviously had a tremendous impact on Robinson's poetry and his view of the human condition.

The poems referred to in the question are "Mr. Flood's Party", "Miniver Cheevy", and "Richard Cory".
5. Percy Bysshe Shelley stood on a bridge over the Arve River in the valley of Chamonix on the border between France and Italy and was inspired to write a poem with these words: "[T]he power is there, / The still and solemn power of many sights, / And many sounds, and much of life and death. / In the calm darkness of the moonless nights, / In the lone glare of day, the snows descend / Upon that Mountain; none beholds them there". What is the title of Shelley's poem, a title which shares the same name of the famous European site in the picture?

Answer: Mont Blanc

Percy Shelley wrote "Mont Blanc" with two purposes in mind. First, he wanted to write a poem that was directly imitative of the alternating wildness and solemnity of a scene in nature along with the harmonious thoughts and feelings that were created by that scene, all of which was typical of the Romantic poets. Second, he wanted to create a descriptive and meditative presentation of a familiar landscape to follow the inspiration of William Wordsworth's "Lines, Composed a Few Miles above Tintern Abbey".

Mont Blanc is the highest mountain of the Alps and is the highest mountain in Europe outside of the Caucasus. The first ascent, at least the first recorded one, occurred on August 8, 1786. It is currently ascended by an average of 20,000 climbers a year, and while it is considered an "easy climb" by many mountaineers, several climbing deaths occur each year.
6. Some find inspiration from traveling to a faraway mountain, and some from visiting a great city. However, the writer of this next poem found inspiration from visiting her own home, or at least a place she once looked upon as home. She wrote, "I years had been from Home / And now before the Door / I dared not enter, lest a Face / I never saw before / Stare solid into mine / And ask my Business there--". The speaker laughs at her fear of a door, puts her hand to the latch, but then runs away. Who is this poet, who deeply felt home to be sacred and who is depicted in the accompanying portrait?

Answer: Emily Dickinson

As Emily Dickinson did not title her poems, most refer to them by their first lines. The poem referred to in the question begins, "I years had been from Home". However, this very poem is often numbered 609 in the 1955 variorum publication of her complete works edited by Thomas H. Johnson.

Emily Dickinson, who lived from 1830 to 1886, spent almost all of that time in only two houses: the first ten years in "Homestead", the home of her birth; then from 1840 to 1855 in a large home nearby; and then back to "Homestead", where she lived until she died of Bright's disease. Her one significant absence from home occurred during the school year of 1847-1848, which she spent at Mt. Holyoke Female Seminary, ten miles away. However, she left the school because of intense homesickness for, in her own words, her "own dear HOME". She later described her home as "the definition of God" and a place of "Infinite power". Most know of Dickinson's growing determination to stay at home without ever leaving it; however, no one to this day truly can offer a definite explanation for her eventual choice to remain isolated.
7. In his masterpiece "Childe Harold's Pilgrimage", George Gordon, Lord Byron, writes, "Stop!--for thy tread is on an Empire's dust! / An Earthquake's spoil is sepulchered below!" The narrator of Byron's poem exclaims these words as Harold arrives at the site of a battlefield of extreme historical importance. While much of Europe hated the man defeated at this site, the narrator attributes others' hatred to their envy and instead praises the "greatest . . . of men". What famous battle site does Byron write of in "Childe Harold's Pilgrimage", a site associated with the man in the accompanying portrait?

Answer: Waterloo

Byron felt that the alliance of European governments that had led to Napoleon's defeat at Waterloo was an alliance consisting of tyrannts just as hungry for the power they had condemned Napoleon for pursuing. To defeat Napoloen, these governments had performed atrocious and tryranical acts upon the citizens of Europe that they had claimed they were trying to protect. Thus, the narrator ultimately remarks, "He who surpasses or subdues mankind, / Must look down on the hate of those below".

As the Byronic hero Harold wanders into the fields of Waterloo, the narrator laments that no "colossal bust" marks Napoleon's loss--as if he had died here and his grave lay below.

However, he reconsiders and is happy that nature itself, nurtured by the blood of Napoleon's armies, has created a greater tomb than man ever could.
8. In a lengthy and descriptive poem, Walt Whitman wrote, "Crowds of men and women attired in the usual costumes, how curious you are to me. / On the ferry-boats the hundreds and hundreds that cross, returning home, are more curious to me than you suppose, / And you that shall cross from shore to shore years hence are more to me, and more in my meditations, than you might suppose". Using the accompanying slide of photos and what you might know of Whitman's life, can you choose the title of the poem from which these lines come?

Answer: Crossing Brooklyn Ferry

Walt Whitman lived in and around New York City for much of his life and, when young, would often cross the East River from Brooklyn to Manhattan on a ferry. At one point in his life, he was the editor of the "Brooklyn Eagle".

The poem exposes the thoughts of a man who is riding the Brooklyn Ferry home from a working day in Manhattan. He sees the number of people on the ferry, thinks of the thousands of people who have ever ridden the ferry and will ride it in the future, and then thinks of the innumerable people who have ever travelled home from somewhere. He feels frustrated at the distance between him and all of these people, yet is amazed by the union he shares with these people because of a common experience. He uses the ebbing and flowing of the waters and the back and forth traveling of the ferry to represent life as a continuous process of drawing close to others and moving away from them at the same time.
9. In 1913, the American poet Ezra Pound, who was for a while an expatriate living in Paris, published a very short poem consisting of only these lines: "The apparition of these faces in the crowd; / Petals on a wet, black bough". Using the accompanying photograph, can you choose the title of this poem, which explains where the speaker of the poem is located as he views these "faces in the crowd"?

Answer: In a Station of the Metro

During the first half of the twentieth century, Ezra Pound spearheaded the poetic movement known as imagism. Its purpose was to present an object or situation in as few words as possible, avoiding description and generalization as well as ornate diction and traditional forms such as rhyme and meter. The poem wasn't supposed to say anything, but rather to present an image for readers to construct in their minds. If there was any meaning to be gleaned from the poem, it would have to come from the very image itself presented as sparsely and cleanly as possible.

Pound eventually settled in Italy, where he became an ardent supporter of Mussolini and a very vocal opponent of the Allied invasion of Italy. He was eventually arrested by invading American forces during World War II, charged with treason, and then found to be criminally insane in a trial back in the United States. He then spent several years in a mental institution, where he continued to write poetry.
10. In 1855, this bearded "Fireside Poet" published "My Lost Youth", a poem in which the speaker revisits as a middle-aged adult his childhood home of Portland, Maine. He begins the poem, "Often I think of the beautiful town / That is seated by the sea; / Often in thought go up and down / The pleasant streets of that dear old town, / And my youth comes back to me". Later, he romanticizes, "I can see the shadowy lines of its trees, / And catch, in sudden gleams, / The sheen of the far-surrounding seas, / And islands that were the Hesperides / Of all my boyish dreams". Who is this poet in the accompanying photograph, a poet better known for longer poems like "The Song of Hiawatha" and "Evangeline"?

Answer: Henry Wadsworth Longfellow

Every stanza of the poem ends with the same refrain, a pair of lines with which Longfellow is much associated: "A boy's will is the wind's will, / And the thoughts of youth are long, long thoughts". He very much attributed his growth as a poet to the inspiration of his hometown, and later in the poem "My Lost Youth", he writes, "... the friendships old and early loves / Come back with a Sabbath sound, as of doves / In quiet neighborhoods".

The beard Longfellow wore in his later years and in the photograph was to cover up scars on his face from trying to extinguish a fire that led to his wife's death. She had been attempting to melt some wax to preserve a lock of their child's hair.
Source: Author alaspooryoric

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