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Quiz about Latin is for Lovers
Quiz about Latin is for Lovers

Latin is for Lovers Trivia Quiz


Latin was the favored language for love poetry for over 1500 years. Explore this long and varied history in this quiz. Latin is truly the language of love!

A multiple-choice quiz by pu2-ke-qi-ri. Estimated time: 8 mins.
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Author
pu2-ke-qi-ri
Time
8 mins
Type
Multiple Choice
Quiz #
260,749
Updated
Dec 03 21
# Qns
15
Difficulty
Average
Avg Score
9 / 15
Plays
734
Awards
Top 20% Quiz
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Question 1 of 15
1. Before launching into the poetry itself, it is important to understand the Romans' attitudes towards love and marriage. For the Romans, love and marriage did not necessarily go hand in hand. Which of these statements about Roman marriage is false? Hint


Question 2 of 15
2. In the 2nd century BCE, a new kind of woman entered the scene. They were professional prostitutes who offered their patrons not just sex, but a cultured and urbane "companion," skilled in literature and the arts. This kind of prostitute, and their amateur "competitors," sparked the great lyric love poetry of the 1st century BCE-1st century CE.


Question 3 of 15
3. The "amateur competitors" to the professional prostitutes often came from the ranks of respectable and very high-class women, who took it up as something of a hobby. This was blasphemy to those great bulwarks of Roman society, the Ciceros and the Catos. Which of these notorious women is (probably) celebrated as the poet Catullus' lover Lesbia? Hint


Question 4 of 15
4. One of the most brilliantly original lyric poets, in any language, was Quintus Valerius Catullus. His most famous poems describe his passionate and obsessive romance with a certain "Lesbia." As shown in his poetry, how does Catullus' affair with Lesbia end? Hint


Question 5 of 15
5. "That man, to me he seems equal to a god,
He, if it can be, surpasses the gods,
Who sitting opposite you, again and again
Watches and hears you,
Gently laughing. I'm miserable because
he steals all my senses from me: because when
I saw you, Lesbia, nothing is
[missing]
But my tongue falters, a subtle flame
Runs through my limbs, my ears ring
With an inward roar, my twin eyes
Are cloaked in night."
Catullus crafted this translation of a poem by which famous Greek lyric poet?
Hint


Question 6 of 15
6. Horace, the greatest of all Latin lyric poets, was the first to seriously adapt Greek lyric meters for Latin poetry. Interestingly, as an Epicurean, he took a different attitude towards love than any of the other lyric poets whose work we have. What was his attitude towards passionate love? Hint


Question 7 of 15
7. "Don't you ask, it's a crime to know, what end for me, for you
The gods will give, Leuconoe, and don't try Babylonian astrology.
It is far better, whatever it is, to endure it,
Whether Jupiter will give many winters, or this final one,
Which now wears out the Tyrrhenian sea with grinding pumice pebbles.
Be wise, strain the wine, and prune back hope to a small space.
While we speak, unwilling time flies.
Seize the day. Trust as little as possible in the next."
Is it possible that Horace's famous "carpe diem" poem is really a love poem?


Question 8 of 15
8. Publius Vergilio Maro, usually referred to as Vergil or Virgil, wrote epic poetry, not lyric. He still managed to create one of the "Greatest Hits of Classical Love Poetry." What doomed couple did his work popularize? Hint


Question 9 of 15
9. The most popular Latin love poet was surely Ovid, the author of the "Amores" (Loves), "Ars Amatoria," (Art of Love), and "Metamorphoses," among other works. In fact, Ovid first popularized one of the most common representations of love used today. What is it? Hint


Question 10 of 15
10. In AD 8, the emperor Augustus exiled Ovid to the shores of the Black Sea. There, Ovid was forced to endure the slings and arrows of outrageous fortune until he died nine years later. The probable cause of his exile was his "Ars Amatoria," written several years earlier. Which of these is NOT a reason the work so offended Augustus? Hint


Question 11 of 15
11. The coming of Christianity had an interesting impact on love poetry, and attitudes towards love in general. In Medieval times, sexual desire, even within a marriage, was seen as a sin. How do you think Medieval commentators rationalized the overt sexuality of the Song of Songs? Hint


Question 12 of 15
12. The Song of Songs remained an extremely important influence on Medieval and Renaissance love lyric, despite Church attempts to sanitize it. One of the poems it directly inspired is to be found in the 11th century anthology of secular and sacred poetry, the "Cambridge Songs." The poem "Iam, dulcis amica, venito" depicts a dialogue between a male and female lover, who invite each other to partake in sensuous luxuries and love. This poem inspired which famous poem by the 19th century French poet Charles Baudelaire? (Hint: It translates to "Invitation to a Voyage.") Hint


Question 13 of 15
13. Of course, the Classical lyric poets continued to have a tremendous influence on love poetry, especially after the Renaissance restored the availability and popularity of Classical authors. Which Classical poet likely inspired the 16th century Dutch poet Ioannis Secundus to write his work "Basia" ("Kisses")?

Answer: (One Word (Give me a thousand kisses, Lesbia...))
Question 14 of 15
14. My favorite late Latin poet would have to be 16th century French poet Jean Salmon Macrin. He chose a rather unusual lover to write his love poetry about. Who would this unexpected lover be? Hint


Question 15 of 15
15. I hope this quiz has given you a taste for the wonders of Latin love poetry. The view of Latin as a stodgy dead language and French as "the language of love" is actually a recent development. What did the 16th century French poet Du Bellay see as the "relationship" between the two? Hint



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Quiz Answer Key and Fun Facts
1. Before launching into the poetry itself, it is important to understand the Romans' attitudes towards love and marriage. For the Romans, love and marriage did not necessarily go hand in hand. Which of these statements about Roman marriage is false?

Answer: Few Roman marriages were arranged as political alliances.

The Roman ideal of marriage was an egalitarian, mutually agreeable partnership between the husband and wife. The wife was in charge of the home, while the husband handled the family's public affairs. Love was not out of the question, but clearly not a requirement for marriage. But, the political and business concerns of the parents, along with ideas of female inferiority, often overrode this "equal, mutually agreeable partnership."
2. In the 2nd century BCE, a new kind of woman entered the scene. They were professional prostitutes who offered their patrons not just sex, but a cultured and urbane "companion," skilled in literature and the arts. This kind of prostitute, and their amateur "competitors," sparked the great lyric love poetry of the 1st century BCE-1st century CE.

Answer: True

The Romans had their own kind of prostitutes, of course, but they were strictly to offer their sexual services, not love. They had an important and accepted function in Roman society. They gave young men an outlet for their sexual feelings, so the young men would not do something scandalous, like seduce a respectable man's daughter.

Then the concept of the "hetaira" filtered over from Greece, and-- scandal! But how much more fulfilling is it for a poet to have a lover who understands and values the same things he does, to have a true partner for his love and literature?
3. The "amateur competitors" to the professional prostitutes often came from the ranks of respectable and very high-class women, who took it up as something of a hobby. This was blasphemy to those great bulwarks of Roman society, the Ciceros and the Catos. Which of these notorious women is (probably) celebrated as the poet Catullus' lover Lesbia?

Answer: Clodia Pulcher

Clodia Pulcher was surely one of the most infamous women in Rome. She came from a wealthy and highly influential family, and her amours were notorious and notoriously indiscreet. Cicero scored a hit against her when, in his speech "Pro Caelio," he made reference to her "husband, whoops, brother. Sorry, it's hard to tell the difference sometimes..." She is often vilified for her indiscretions, but I find it hard to condemn an intelligent, charming, and independent-minded woman in an age which strongly discouraged these qualities in women. For an interesting modern depiction of Clodia, read "The Ides of March" by Thornton Wilder.
4. One of the most brilliantly original lyric poets, in any language, was Quintus Valerius Catullus. His most famous poems describe his passionate and obsessive romance with a certain "Lesbia." As shown in his poetry, how does Catullus' affair with Lesbia end?

Answer: She is unfaithful to him, and they have an ugly and messy breakup. Vae te, puella!

This is one of the great ironies of Classical lyric poetry. The poets felt they were pursuing the ideals of Roman marriage, a lifelong monogamous relationship with an equal partner, but with the addition of passionate love. Alas, the type of women they tended to select as girlfriends were not able to have this kind of relationship.

They were either professional prostitutes, who saw their lovers foremost as paying clients, or amateurs, who were just in it for the fun and self-gratification.
5. "That man, to me he seems equal to a god, He, if it can be, surpasses the gods, Who sitting opposite you, again and again Watches and hears you, Gently laughing. I'm miserable because he steals all my senses from me: because when I saw you, Lesbia, nothing is [missing] But my tongue falters, a subtle flame Runs through my limbs, my ears ring With an inward roar, my twin eyes Are cloaked in night." Catullus crafted this translation of a poem by which famous Greek lyric poet?

Answer: Sappho

The Latin lyric poets took their inspiration from Greek lyric poetry: the passion, the meter, the wittiness, the urbanity, the sophistication and polish. However, the Latin lyric poets were unique in the degree of personal introspection they included in their poetry.

In this respect, the only parallel in Greek poetry is Sappho. She describes her personal feelings and even her own physiological reaction in exquisite detail, as exemplified in this poem.
6. Horace, the greatest of all Latin lyric poets, was the first to seriously adapt Greek lyric meters for Latin poetry. Interestingly, as an Epicurean, he took a different attitude towards love than any of the other lyric poets whose work we have. What was his attitude towards passionate love?

Answer: Passionate love is painful and messy. Friendship is better.

Horace, as an Epicurean, lived life in the pursuit of "ataraxia," the non-disturbance of one's soul. Seek out pleasures, but ones which will not bring you to grief. This does not exclude love, but it does exclude the sort of messy love affairs Catullus and Ovid were so fond of. One of Horace's poems describes Pyrrha, a lovely young girl whom a young man, reeking with perfume, is making out with in the rose bushes.

He doesn't know Pyrrha's fickle temper, the rough waters, the storms....but Horace does, he's already thanked Poseidon for saving him from that shipwreck!
7. "Don't you ask, it's a crime to know, what end for me, for you The gods will give, Leuconoe, and don't try Babylonian astrology. It is far better, whatever it is, to endure it, Whether Jupiter will give many winters, or this final one, Which now wears out the Tyrrhenian sea with grinding pumice pebbles. Be wise, strain the wine, and prune back hope to a small space. While we speak, unwilling time flies. Seize the day. Trust as little as possible in the next." Is it possible that Horace's famous "carpe diem" poem is really a love poem?

Answer: Yes

Imagine the scene. It is winter. Horace and the fair Leuconoe are inside, talking. Leuconoe asks Horace whether she will have him to enjoy for many more years. Why would she be asking, if she were not in love? Horace steers the conversation back to the moment.

They drink wine together, and Horace urges her to take advantage of the moment, as time is quickly passing. To do what, do you think? Ah, you see now. This is David West's interpretation, not mine!
8. Publius Vergilio Maro, usually referred to as Vergil or Virgil, wrote epic poetry, not lyric. He still managed to create one of the "Greatest Hits of Classical Love Poetry." What doomed couple did his work popularize?

Answer: Dido and Aeneas

Book IV of the "Aeneid." Our hero Aeneas has arrived shipwrecked in Carthage. Venus makes Dido, the queen of Carthage, fall in love with Aeneas. Aeneas falls in love with Dido. Zeus makes Aeneas leave to found Rome. Dido doesn't understand. Tragedy ensues.

This story was insanely popular from the Middle Ages on. Witness, for instance, the treatment of Dido in Dante's "Inferno," and Henry Purcell's opera, "Dido and Aeneas." Even Saint Augustine claimed that the story of Dido postponed his conversion to Christianity for years and years!
9. The most popular Latin love poet was surely Ovid, the author of the "Amores" (Loves), "Ars Amatoria," (Art of Love), and "Metamorphoses," among other works. In fact, Ovid first popularized one of the most common representations of love used today. What is it?

Answer: Cupid as a boy armed with a bow and arrows

Ovid used this image EVERYWHERE. Even when describing his own art of poetry, Ovid writes (in Amores 1.1):
"I was preparing to present weapons and violent war
In serious meters, material suitable to the verse.
Part were shorter lines-- Cupid is said to have
Cracked up and stamped one foot. I said,
"What gave you, naughty boy, authority on poetry?
We poets of the Muses, we're not your crowd."
[snip]
I was thinking, when he straight away opened his quiver
And fixed an arrow for my destruction,
He bravely bent his curved bow with his knee,
"For what you write, poet" he said, "Take this!"
Poor me! That boy has pretty good arrows.
I'm on fire, and Love reigns in my empty heart."
10. In AD 8, the emperor Augustus exiled Ovid to the shores of the Black Sea. There, Ovid was forced to endure the slings and arrows of outrageous fortune until he died nine years later. The probable cause of his exile was his "Ars Amatoria," written several years earlier. Which of these is NOT a reason the work so offended Augustus?

Answer: It contained dirty language.

Basically, the "Ars Amatoria" undermined Augustus' moral program of reigning in all of those Roman matrons gone amok (and their lovers). The Romans had a different attitude towards "bad language" than we have now. It was a mark of the upper class to use vulgarity in a witty way.

There was certainly no stigma against words describing bodily functions. The Romans would be baffled at our use of ast*r*cks!
11. The coming of Christianity had an interesting impact on love poetry, and attitudes towards love in general. In Medieval times, sexual desire, even within a marriage, was seen as a sin. How do you think Medieval commentators rationalized the overt sexuality of the Song of Songs?

Answer: It was an allegory for the mystical marriage between Christ and the Church.

So, a suspicious phrase like "a flask of myrrh is my lover unto me; he shall lie between my breasts" could be rationalized so that the man is Christ, the woman is the Church, and the Church absorbs the fragrance of doctrine with their close contact. Whatever you say! Allegory was also a useful way to deal with pesky issues in Classical literature, like sexuality and paganism.
12. The Song of Songs remained an extremely important influence on Medieval and Renaissance love lyric, despite Church attempts to sanitize it. One of the poems it directly inspired is to be found in the 11th century anthology of secular and sacred poetry, the "Cambridge Songs." The poem "Iam, dulcis amica, venito" depicts a dialogue between a male and female lover, who invite each other to partake in sensuous luxuries and love. This poem inspired which famous poem by the 19th century French poet Charles Baudelaire? (Hint: It translates to "Invitation to a Voyage.")

Answer: L'invitation au voyage

It's the Europeans who have given Classical and Medieval literature the most attention, and it influences their literature even today. Compare the second stanza of both:

"Iam, dulcis amica, venito (2)"

"Ibi sunt sedilia strata
Atque velis domus parata
Floresque in domo sparguntur
Herbesque flagrantes miscentur.

There, couches are laid out,
And the house is prepared with tapestries,
Flowers are scattered in the house,
And fragrant herbs are mixed in."

"L'invitation au voyage"

"Des meubles luisants,
Polis par les ans,
Décoreraient notre chambre;
Les plus rares fleurs
Mêlant leurs odeurs
Aux vagues senteurs de l'ambre,
Les riches plafonds,
Les miroirs profonds,
La splendeur orientale,
Tout y parlerait
À l'âme en secret
Sa douce langue natale.
Là, tout n'est qu'ordre et beauté,
Luxe, calme et volupté.

Gleaming furniture,
Polished by the years,
Will ornament our bedroom;
The rarest flowers
Mingling their fragrance
With the faint scent of amber,
The ornate ceilings,
The limpid mirrors,
The oriental splendor,
All would whisper there
Secretly to the soul
In its soft, native language.

There all is order and beauty,
Luxury, peace, and pleasure."

Trans. William Aggeler, "The Flowers of Evil" (Fresno, CA: Academy Library Guild, 1954)
13. Of course, the Classical lyric poets continued to have a tremendous influence on love poetry, especially after the Renaissance restored the availability and popularity of Classical authors. Which Classical poet likely inspired the 16th century Dutch poet Ioannis Secundus to write his work "Basia" ("Kisses")?

Answer: Catullus

Catullus' two famous poems about kissing, 5 and 7, inspired a whole genre of "kiss poetry" in the Renaissance. In fact, most of the imagery, stock phrases, and poetic devices of Renaissance love lyric were borrowed directly from Classical lyric poets.
14. My favorite late Latin poet would have to be 16th century French poet Jean Salmon Macrin. He chose a rather unusual lover to write his love poetry about. Who would this unexpected lover be?

Answer: His wife, Gelonis

Macrin's wife, Guillonne (Gelonis in Latin) was a very unusual choice of lover. None of the Classical lyric poets expressed any interest in their wives, or in marriage, for that matter. Whatever the origin of the idea, Macrin seems to have loved Gelonis deeply as both a person and as an object of passion. By the way-- when they got married, Gelonis was 18, and Macrin was 38!
15. I hope this quiz has given you a taste for the wonders of Latin love poetry. The view of Latin as a stodgy dead language and French as "the language of love" is actually a recent development. What did the 16th century French poet Du Bellay see as the "relationship" between the two?

Answer: French was his wife, Latin was his lover.

Du Bellay was one of the first to promote the use of French as a literary language. Latin had traditionally occupied that role, and the vernacular was thought to be inferior. French quickly caught on, and this produced a wave of French poetry-- that was really bad! Du Bellay went back to writing in Latin to distance himself from all of the bad poetry.

After all the ink spilled over the non-inferiority of French, he wrote a poem explaining why he had started using Latin again. The reason was that French was like his wife, and Latin was like his lover! Alas, all things must come to an end, and Du Bellay was one of the last poets who was equally comfortable writing in Latin and the vernacular. And so this quiz ends!
Source: Author pu2-ke-qi-ri

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