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Quiz about Your Art Gallery History Painting
Quiz about Your Art Gallery History Painting

Your Art Gallery: History Painting Quiz


The next room in our virtual art gallery is the home of 'history painting'. Covering a wide range of artistic styles, history paintings depict a specific moment in a narrative story.

A photo quiz by EnglishJedi. Estimated time: 5 mins.
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Author
EnglishJedi
Time
5 mins
Type
Photo Quiz
Quiz #
376,152
Updated
Dec 03 21
# Qns
10
Difficulty
Average
Avg Score
7 / 10
Plays
420
Awards
Top 35% Quiz
Last 3 plays: DeepHistory (10/10), andymuenz (2/10), emmal2000uk (10/10).
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Question 1 of 10
1. We open this gallery with "Diana and Actaeon", an oil on canvas from the 1550s. Here the artist captures a specific moment from the mythological story. Who is the painter, one of the most important members of the 16th-century Venetian School? Hint


Question 2 of 10
2. Our next example is "The Abduction of Europa" painted in 1632. This work is a rare foray into mythological subject matter by one of Europe's greatest ever artists. Inspired by Ovid's "Metamorphoses", the painter depicts the Phoenician gentlewoman Europa being carried away by a bull. Whose work is this? Hint


Question 3 of 10
3. A French artist next, and "Oath of the Horatii" painted in 1784. This huge painting (130x167 inches) is one of the best-known of all Neoclassical works. The work depicts a scene from a Roman legend: to end the war between Rome and Alba Longa, three brothers from each city agree to fight to the death. The painting depicts the Roman brothers saluting their father before the battle. Which artist's work is this? Hint


Question 4 of 10
4. Next we come to one of the earliest examples of historical art. Painted in the mid-15th century, it is one of three panels depicting a skirmish between the republics of Florence and Siena in 1432. This, the middle of the three panels, is a tempera on wood depiction called "Niccolò Mauruzi da Tolentino unseats Bernardino della Ciarda at the Battle of San Romano". Who is the artist? Hint


Question 5 of 10
5. By the late 18th-century there was a demand for paintings of events from contemporary history. This 1770 work, "The Death of General Wolfe", is an early example of the move away from religious and mythological scenes. The artist is which American-born artist who became the second President of the Royal Academy in London? Hint


Question 6 of 10
6. Our next work, known in English as "The Third of May 1808", was completed in 1814 and commemorates Spanish resistance to Napoleon during the 1808 occupation in the Peninsular War. The artist was the official court painter to the Spanish crown before, during and after this conflict and even painted the portrait of the pretender to the throne, Joseph Bonaparte. Which artist is this? Hint


Question 7 of 10
7. Completed in 1819, "The Raft of the Medusa" is considered one of the most important works of the French Romantic era. The painting captures the arrival of the survivors of the wreck of the eponymous naval frigate on the coast of Mauritania in 1816. Who is the young artist who painted this more than life-size masterpiece? Hint


Question 8 of 10
8. Historical paintings are often steeped in satire, as evidenced by this 1750 work, "The March of the Guards to Finchley". Here the artist depicts a fictional mustering of troops in central London as they prepare to march north to confront supporters of the 1745 Jacobean rebellion. Who is the English artist, well known for his satirical works? Hint


Question 9 of 10
9. Our next painting, "Introduction of Christianity to Poland A.D. 965", is the first in this artist's 12-part "History of Civilization in Poland" series. The collection begins in the 10th century and depicts major historical events in the country over the next 800 years. One of Poland's most famous artists, who is this painter? Hint


Question 10 of 10
10. Many of the paintings in this gallery have depicted scenes from events within the artist's lifetime, but this final example of the genre takes us back many centuries. Painted in the early 1830s, "The Last Day of Pompeii" was displayed in Rome and Paris and was the first work by a Russian artist to be so highly acclaimed overseas. At home, it was even the subject of a poem by Alexander Pushkin. Which artist painted this? Hint



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Most Recent Scores
Mar 31 2024 : DeepHistory: 10/10
Mar 08 2024 : andymuenz: 2/10
Mar 05 2024 : emmal2000uk: 10/10
Feb 29 2024 : Guest 211: 3/10
Feb 27 2024 : Guest 1: 2/10

Score Distribution

quiz
Quiz Answer Key and Fun Facts
1. We open this gallery with "Diana and Actaeon", an oil on canvas from the 1550s. Here the artist captures a specific moment from the mythological story. Who is the painter, one of the most important members of the 16th-century Venetian School?

Answer: Titian

Born Tiziano Vecelli in the small mountain town of Pieve di Cadore about 70 miles from Venice around 1488-90, he is known simply as Titian today.
"Diana and Actaeon", one of Titian's greatest works, portrays the moment when the goddess Diana (just visible on the right of the painting, protected by her naked servant) meets the priestly herdsman Actaeon.

This painting is part of the collection at the Scottish National Gallery in Edinburgh.
2. Our next example is "The Abduction of Europa" painted in 1632. This work is a rare foray into mythological subject matter by one of Europe's greatest ever artists. Inspired by Ovid's "Metamorphoses", the painter depicts the Phoenician gentlewoman Europa being carried away by a bull. Whose work is this?

Answer: Rembrandt

Rembrandt Harmenszoon van Rijn was born in Leiden, Netherlands in 1606. During his lifetime he completed around 160 paintings, but only five of them depict mythological scenes. "The Abduction of Europa" is perhaps the best-known of those five, showing a coastal scene with Europa being abducted across rough waters while her friends look on in horror. The painting has all the trademarks of the High Baroque style in vogue during Rembrandt's early years.

This painting is part of the collection at the Getty Center, part of the J Paul Getty Museum in Los Angeles, California.
3. A French artist next, and "Oath of the Horatii" painted in 1784. This huge painting (130x167 inches) is one of the best-known of all Neoclassical works. The work depicts a scene from a Roman legend: to end the war between Rome and Alba Longa, three brothers from each city agree to fight to the death. The painting depicts the Roman brothers saluting their father before the battle. Which artist's work is this?

Answer: Jacques-Louis David

Born in Paris in 1748, Jacques-Louis David was the most important French painter of the Neoclassical era. In later life, he was an active supporter of the French Revolution and friends with Maximilien Robespierre and, later, with Napoleon.

"Oath of the Horatii" is a graphic depiction of the principles of patriotism and self-sacrifice for one's country, friends and family. As the three Roman fighters (the Horatii brothers from the title of the painting) salute their father in preparation for the battle to come, their sister sits in the front right corner of the painting crying. She is married to one of the brothers from Alba Longa, so she knows that she is destined to lose someone that she loves.

This picture is on display at The Louvre in Paris.
4. Next we come to one of the earliest examples of historical art. Painted in the mid-15th century, it is one of three panels depicting a skirmish between the republics of Florence and Siena in 1432. This, the middle of the three panels, is a tempera on wood depiction called "Niccolò Mauruzi da Tolentino unseats Bernardino della Ciarda at the Battle of San Romano". Who is the artist?

Answer: Paolo Uccello

Born Paolo di Dono in 1397 in the Tuscan commune of Pratovecchio, Paolo Uccello was a master of the Late Gothic style that would be succeeded by the Renaissance within half a century.

The subject of Uccello's three wood panels is the 1432 Battle of San Romano, fought in the Tuscan municipality of the same name some 30 miles outside Florence. Although unbiased observers consider the battle a margin win for the Florentines, the Sienese also see it as a victory.

The first of Uccello's trilogy, painted between 1438 and 1440, is called "Niccolò Mauruzi da Tolentino at the Battle of San Romano" and hangs today in the National Gallery in London. Our example is the second of the three works, painted sometime between 1435 and 1455, which is part of the collection at the 'Galleria degli Uffizi' in Florence. The third depiction, painted sometime around 1455, is "The Counterattack of Michelotto da Cotignola at the Battle of San Romano" and is on display in The Louvre in Paris. At one point, all three belonged to the legendary Lorenzo de' Medici.
5. By the late 18th-century there was a demand for paintings of events from contemporary history. This 1770 work, "The Death of General Wolfe", is an early example of the move away from religious and mythological scenes. The artist is which American-born artist who became the second President of the Royal Academy in London?

Answer: Benjamin West

Benjamin West was born in 1738 in the township of Springfield on the southeastern border of what was then the Province of Pennsylvania. Arriving in London via Italy in 1763, he soon became known as "The American Raphael". In 1772, he was appointed historical painter to the court of King George III, and in 1791 he became "Surveyor of the King's Pictures", a position he retained until his death in 1820. West was influential in persuading the king to found the Royal Academy in 1768 and he followed Sir Joshua Reynolds as President in 1792 (when Reynolds died).

"The Death of General Wolfe" remains West's most famous painting, although it was the first of a series of large scale works in the genre. The painting is on display at the National Gallery of Canada in Ottawa.
6. Our next work, known in English as "The Third of May 1808", was completed in 1814 and commemorates Spanish resistance to Napoleon during the 1808 occupation in the Peninsular War. The artist was the official court painter to the Spanish crown before, during and after this conflict and even painted the portrait of the pretender to the throne, Joseph Bonaparte. Which artist is this?

Answer: Francisco Goya

Francisco José de Goya y Lucientes was born in 1746 in the Aragon region of northeastern Spain. Broadly speaking a Romantic, he was the last of the Old Masters from the Spanish Golden Era.

"The Third of May 1808" (aka 'Los fusilamientos de la montaña del Príncipe Pío'), one of Goya's most famous works, is truly revolutionary. It represents a clean break from the traditional depictions of war, with gallant leaders on horseback rallying their men, to the stark horrors of reality.

This painting is on display at the 'Museo del Prado' in Madrid.
7. Completed in 1819, "The Raft of the Medusa" is considered one of the most important works of the French Romantic era. The painting captures the arrival of the survivors of the wreck of the eponymous naval frigate on the coast of Mauritania in 1816. Who is the young artist who painted this more than life-size masterpiece?

Answer: Theodore Gericault

Jean-Louis André Théodore Gericault was born in 1791 in Rouen in Normandy in northern France. Still in his twenties when he painted this gigantic canvas (it measures 16'1" by 23'6"), Gericault managed to produce numerous outstanding pieces before his premature death from a tubercular infection at the age of just 33 in 1824. His tomb in Père Lachaise Cemetery in Paris is marked by a low-relief panel of his most famous work.

"The Raft of the Medusa" is widely regarded as the best of all Romantic history paintings. Capturing events which had happened only three years earlier, the blink of an eye in painting terms, also meant that the work carried a powerful anti-government political message at the time.

The painting can be seen at the Louvre in Paris.
8. Historical paintings are often steeped in satire, as evidenced by this 1750 work, "The March of the Guards to Finchley". Here the artist depicts a fictional mustering of troops in central London as they prepare to march north to confront supporters of the 1745 Jacobean rebellion. Who is the English artist, well known for his satirical works?

Answer: William Hogarth

William Hogarth was born in London in 1697. A satirist and cartoonist as well as a great painter, many of his works focused on what he referred to as 'modern moral subjects'.

Jacobite rebellions began in England in the 1680s and continued until the middle of the next century as supporters of James II and his descendants attempted to restore the House of Stuart to the throne. Major uprisings occurred in 1715 and 1745 and "The March of the Guards to Finchley" depicts an imaginary event during the second of these.

Owned since it was painted by the "Thomas Coram Foundation for Children", this painting is now part of the collection housed at the Foundling Museum in London, home to the important Foundling Hospital Art Collection.
9. Our next painting, "Introduction of Christianity to Poland A.D. 965", is the first in this artist's 12-part "History of Civilization in Poland" series. The collection begins in the 10th century and depicts major historical events in the country over the next 800 years. One of Poland's most famous artists, who is this painter?

Answer: Jan Matejko

Jan Alojzy Matejko was born in 1838 in what was then known as 'The Free, Independent and Strictly Neutral City of Krakow' in the Protectorate of Austria, Prussia and Russia. Most of his paintings depict notable historical Polish political and military events or people. The former Krakow Academy of Fine Arts, which was originally established as part of the city's university in 1818 but became independent in 1879, was renamed in his honour in 1979 as part of the institution's centenary celebrations.

Our featured work along with the rest of Matejko's "History of Civilization in Poland" series is part of the collection at the Royal Castle in Warsaw.
10. Many of the paintings in this gallery have depicted scenes from events within the artist's lifetime, but this final example of the genre takes us back many centuries. Painted in the early 1830s, "The Last Day of Pompeii" was displayed in Rome and Paris and was the first work by a Russian artist to be so highly acclaimed overseas. At home, it was even the subject of a poem by Alexander Pushkin. Which artist painted this?

Answer: Karl Bryullov

Karl Pavlovich Bryullov was born in 1799 in Saint Petersburg. The first of the Russian Romantic painters, he became known in his homeland as "The Great Karl".
Bryullov visited Pompeii in 1828 and five years later unveiled his masterpiece depicting the eruption that destroyed the city in 79 A.D. Not only did Pushkin eulogize Bryullov's work in poetry, but it also inspired the English novelist Edward Bulwer-Lytton to write the best-selling "The Last Days of Pompeii" after seeing the painting in Rome. In 1968, the painting appeared in a set of Soviet Union postage stamps honoring Russia's greatest artists.

For many years, this painting was displayed at the Imperial Academy of Arts in Saint Petersburg to inspire and instruct young artists. In 1895, it was the most prominent piece on display when the State Russian Museum opened in the city, and it remains part of the collection housed there to this day.
Source: Author EnglishJedi

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